A basketmaker’s approach to structural morphology
Alison G. Martin
Alison Martin explores how traditional basketmaking techniques provide structural algorithms for modern computational design. By hand-building models from bamboo and paper, she demonstrates how 2D tessellations can be deformed into spherical or hyperbolic surfaces by varying connectivity. These woven structures mirror nanostructures and minimal surfaces found in nature, such as sponges. Ultimately, these physical models serve as powerful pedagogical tools for visualizing complex geometry and mathematical principles in architecture and engineering.
STOP #1: "The geometry principle of introducing singularities in a mesh - each pentagon in a hexagonal mesh introduces positive convex curvature to a fullerene shell or a basket shape while a heptagon introduces concave curvature - applies equally in molecular structure and woven baskets. The shape of a basket can be defined in mathematical terms; a 3-D representation of hyperbolic functions (saddles) results from adding extra weavers, while subtracting from the numbers of weavers produces closed shapes." (p. 2)
Although I had to read this several times to begin to understand what was being describes, I was hooked after the first read. I really loved the idea of the transition from 2D to 3D and what had to be done to achieve that shape and formation in the basket. You can tell in this excerpt just how mathematical basket weaving really is. This was the first time I truly saw a deep connection between the two. The use of the pictures that go along with this text, really helped solidify my understanding of the concept.
STOP #2: "Porifera (sponges) are simple aquatic invertebrate whose shape seems to depend on nature’s ability to find the simplest algorithm which will generate the most extensive surface with minimal materials. As cells multiply their surface arrangement adds extra area to the organism. This is a matter of life and death for filter feeders like sponges and corals. Evolution is a great optimiser." (p. 6)
As soon as I am introduced something where math is being done in nature, without the intervention of humans, I am so HOOKED! This concept here is beyond cool. In the last 2 years of being in my MEd, I have been expose to a variety of ways that math is being done in nature, every day, by nature itself. Ever since I was introduced to Fractals, I see them everywhere. And now sponges... WHAT!? This lead me to run to my washroom, where I have a natural loofah, and observe its complex net. Although I failed to pin point it's pattern, I am convinced that it is in there somewhere. Of course a loofah is a plant, and not a Porifera, but I thought perhaps there was a connection.
Martin, A. G. (2015). A basketmaker’s approach to structural morphology. In Proceedings of the International Association for Shell and Spatial Structures (IASS) Symposium 2015, Amsterdam: Future Visions.
Martin, A. G. (2015). A basketmaker’s approach to structural morphology. In Proceedings of the International Association for Shell and Spatial Structures (IASS) Symposium 2015, Amsterdam: Future Visions.

It is fascinating to see 2-D structures evolve into 3-D ones, and even more so that evolution can drive this process. The function of filter feeding in sponges produces a structure that optimizes surface area of the cells. It is amazing to see nature doing this math! It reminds me of scientific artist Earnst Haeckel’s work, he drew the patterns he found in living things, focusing a lot of time on the structures of microscopic plankton. I cannot seem to be able to insert an image into my comment :( so below is a blog url showing some of his art and how it (and these nature-made geometric structures) went on to inspire architecture pieces like buildings and design features like chandeliers.
ReplyDeletehttps://www.pixartprinting.co.uk/blog/drawings-ernst-haeckel/?srsltid=AfmBOoopTKxoAy79aisuF4aiVyJmhs7EDwFyphQd5xCUIjHRWZ-f6iUM
Thank you so much for this Nichola. Love this blog!
DeleteTaylor, I’ve been seeking a connection for the idea that “…art can be analytical” (John Sims, 2010, as cited in Futamuro, 2025) and in your summary I think I found an example: Martin uses art as a way to analyze hyperbolic surfaces of sponges with woven art. Thanks!!
ReplyDeleteLooking at your stop 1 structures and the deformations with its various basket weaves, I am wondering if this is how dark matter, or even another hidden particle interacts in the universe to warp space/time, and we don’t know exactly how the universe will end because we don’t know its geometry… but if we could determine the weave or observe the complex polymer of the universe, we may be able to determine this. What a neat thought.
I wonder which other structures found in nature that are required for filtering have similar basketweave geometries: Nephrons for your kidney’s? Blood brain barrier? Nuclear pores?
Perhaps it’s different when a structure is purposefully used as a gate in a wall rather than the wall itself being “porous”.
Thanks for the thoughts Taylor!
Wow Olly, do you ever have my brain running right now! These are great connections and wonderful wonders...
DeleteWow Olly, do you ever have my brain running right now! These are great connections and wonderful wonders...
Delete